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and then it stops being quite so funny.
The mechanics of vows and cancelling vows are discussed in this bit of the talmud because men can nullify their women's words. The wives and daughters are under the Master Of The House. And while they are under his jurisdiction, their vows are for him to uphold or cancel as he sees fit. They have little autonomy in relationships, what happens to their bodies, and to control what they do and make. A repeated statement throughout this mesechet is that women don't take vows seriously because they know that there is always a man around to cancel their words. So why take women's words seriously when the women themselves don't?
This mesechet ends with various cases where the women think they have slept with their husbands, but their husbands deny it. So it turns out that they've had non-consensual sex with a stranger. And in each case the ruling is that they aren't believed, and suspected of "casting eyes on another man" and making up the rape story so that their husbands will divorce them (they are married to priests, who cannot stay married to their wives if their wives have been "defiled"). The last case is of a male adulterer, while hiding from the husband, sees that a snake has eaten some food that the husband is about to eat. He comes out of hiding to warn the husband, but the husband now has a dilemma. Has this man, who has saved his life, just slept with his wife, or not? The talmud gives the adulterer the benefit of the doubt. If he had slept with the wife, then why save the husband's life..... The man in hiding is not treated with suspicion, like the raped wives, but his words are believed.
Vows and oaths are part of a system that take words seriously. When the spoken word has the power to create what is forbidden and permitted, define reality and give the speaker control on who and when they interact with others. Of course women don't have the last word to do just that. Goodbye mesechet nedarim. I thought you were a welcome break from the misogyny in Seder Nashim. I spoke too soon.
I chose to use the shape of the talmud pages to set the composition of these drawings. the text blocks rendered in a neutral watercolour wash (paynes grey, one of my favourite grey colours) And the drawings in fine black ink pen. In order to fit both sides of the daf on the page, I had to re-orientate the drawings to be in landscape not portrait as per the other talmud drawings. This also resulted often in a drawing in two halves. Echoing the gesture of "I am separating myself from THAT" which is inherent within the discussions on vows.
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